(l-r) Emily Fons as Hansel and Simone Osborne as Gretel in the Canadian Opera Company’s new production of Hansel & Gretel
​Photo credit: Michael Cooper

I first saw Engelbert Humperdinck’s only hit opera Hansel & Gretel during my first year of university in the UofT Opera School’s production. I found an unlocked door to the upper wings of the MacMillan Theatre and watched from there. It opened my eyes and ears to the world of opera that I had previously avoided. I was mesmerized by the magic of it all. The production created a straightforward visual of a rural 18th century German setting that portrayed the Brothers Grimm fairytale much as in my childhood books, complete with a gingerbread house and a fearsome witch. The current run at the Four Seasons Centre for the Performing Arts by the Canadian Opera Company couldn’t be more of a contrast to my early memory.


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Review by Jeff Mitchell
Toronto ON February 18th 2020

A Romantic Fantasy at the Oakville Symphony!

They lined up outside Yorkminster Park Baptist church and down the street waiting for the doors to open for a mid-winter gift to the city by the Toronto Mendelssohn Choir.  On a bright, sunny and almost warm Saturday afternoon, choral music lovers came in droves and filled the mammoth church to hear the choir in a free concert.


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Review by Jeff Mitchell
Toronto ON February 3rd 2020

Vittorio Ghielmi and Tafelmusik dream Jupiter under the Super Moon​

Review by Tristan Savella
Toronto ON February 21st 2020

Toronto Mendelssohn Choir and conductor John William Trotter
Photo credit: TMC

Pianist Sae Yoon Chon, Maestro Roberto De Clara
and Oakville Symphony Orchestra

Yesterday, the Royal Conservatory’s Koerner Hall kick-started its own celebratory year with an all-Beethoven program by the remarkable Canadian pianist, Louis Lortie. One only turns 250 once, so why not take the whole year. And when it’s Beethoven, no one is complaining about hearing too much of his music. Koerner Hall began its Beethoven deluge with the Invesco Piano Concerts last fall when András Schiff included Beethoven and Yefim Bronfman gave an all-Beethoven concert.  There will be much more to come as we approach Beethoven’s birthday of December 16 or 17.


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What a performance of The Barber of Seville: great singing, a tight orchestra, imaginative, funny, colourful and even a little thought-provoking in its satire! The Canadian Opera Company production currently on a run of eight performances through February 7th has it all. It’s no wonder that it remains one of the world’s most popular operas over two hundred years after its first performance. 


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The Oakville Symphony hit all the right buttons for this past weekend’s concerts that Artistic Director Roberto De Clara coined as Romantic Fantasy! The program ranged from late Beethoven to Mahler and spanned Russian, German, French and Italian music. It included art song, opera, ballet and a stunning piano concerto with virtuosic soloists sharing the stage. What could be more Romantic than the story of Romeo and Juliet? Three of the selections referenced the famous Shakespearian love story.


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The TSO Creates a Romance of Melody on Valentines Weekend 

Daniil Trifonov gave an electric performance this past Friday night at Koerner Hall. His program featured a selection of Russian works by Scriabin, Borodin and Prokofiev, as well as one of Beethoven’s most beloved late sonatas. Throughout the recital, Trifonov displayed his control of counterpoint and textures (aided by his masterful pedaling), an extensive palate of sounds and colors, beautiful lyricism and his ability to immediately shift from intimate atmospheres to rabid outbursts of passion and despair.  


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Review by Paul Merkley F.R.S.C.
Toronto ON January 28th 2020

Pianist Daniil Trifonov; ​​Photo credit: www.daniiltrifonov.com

Pianist Stephen Hough, guest conductor Elim Chan and TSO
​​Photo credit: Jag Gundu

Royal Conservatory Orchestra with Guest Conductor Johannes Debus and Marimba Soloist Zuri Wells 
​Photo credit: The Royal Conservatory/Koerner Hall; Lisa Sakulensky 

On the afternoon of February 2, 2020, in the Royal Conservatory’s venerable Mazzoleni Concert Hall, the respected Hungarian-born trumpeter, Gábor Tarkövi, made his Toronto debut, joined by the distinguished Canadian pianist Benjamin Smith. This recital was presented by The Royal Conservatory as part of its Glenn Gould School Mazzoleni Masters Series and was sponsored by season sponsor BMO Financial and season media sponsor The Toronto Star.


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Gábor Tarkövi​; Photo credit:www.tarkoevigabor.com

Review by David Richards
Toronto ON January 23rd 2020

The Barber of Seville: entertainment that has it all!​

Vittorio Ghielmi, guest director and soloist with Tafelmusik Baroque Orchestra; ​Photo credit: Dahlia Katz

Review by David Richards
Toronto ON February 7th 2020

For this Valentine’s Day weekend, the Toronto Symphony Orchestra fittingly featured two enduringly popular works by renowned late Romantic Russian composers: the powerfully emotive Piano Concerto #2 in C-, Op. 18 by Sergei Rachmaninoff (1873-1943), and the fantastical Scheherazade, Op. 35 by Nikolai Rimsky-Kosakov (1844-1908).  


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Louis Lortie kicks off Beethoven’s 250th birthday party at Koerner Hall ​

It has become commonplace for the Royal Conservatory Orchestra to impress with virtuosic, committed performances. Last Friday night's concert at Koerner Hall was no exception. Under the baton of Johannes Debus, the orchestra displayed an ideal combination of mature artistry and youthful energy in works that would challenge the finest professional orchestras. 


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It is always special for an orchestra to have an extraordinary artist perform a concerto, but when a member of the orchestra steps out front, there can be an extra sense of anticipation. Such was the case last night when Toronto Symphony Orchestra’s Principal Cellist Joseph Johnson performed the most beloved cello concerto of the entire symphonic repertoire at Roy Thomson Hall


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Review by David Richards
Toronto ON January 27th 2020

Review by Paul Merkley F.R.S.C.
Toronto ON February 10th 2020

Artist of Atelier Ballet Tyler Gledhill and composer/violinist Edwin Huizinga in Opera Atelier’s production of The Angel Speaks at the Harris Theater for Music and Dance in Chicago; Photo credit: Bruce Zinger

Director Elisa Citterio (who did not play in yesterday’s performance) made a judicious choice in programming “Dreaming Jupiter,” a production directed and “curated” by Vittorio Ghielmi and played by him and the Tafelmusik Baroque Orchestra. Ghielmi is a talented, young musician with a passion for his instrument and its repertoire. He has the enthusiasm and competence to realize important projects.


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Royal Conservatory Orchestra with Johannes Debus leaves a lasting impression!

Daniil Trifonov brings a program of mostly Russian piano music to Koerner Hall

Review by David Richards
Toronto ON February 3rd 2020

Opera Atelier Launches its New Season with a sparkling preview​

TORONTO CONCERT REVIEWS

Music reviews of the finest concerts in Toronto and beyond!
- ​symphonic, choral, opera, chamber, jazz and period music​ -

Review by David Richards
Toronto ON January 31st 2020

Pianist Louis Lortie; Photo credit: www.elias-b.com

Toronto Welcomes Gábor Tarkövi​

Santiago Ballerini as Count Almaviva (right) in the Canadian Opera Company’s production of The Barber of Seville, 2020; Photo credit: Michael Cooper 

Opera Atelier is one of Toronto’s artistic treasures, and last night it previewed its 35th anniversary season at St. Lawrence Hall. The company is rare if not unique in undertaking period performances of Baroque operas and in approaching them with meticulous choreographic expression by dancers and singers; artistic co-directors Marshall Pynkoski and Jeannette Lajeunesse Zingg (both recently awarded the Order of Canada) are dancing masters. They are already fully engaged (the co-directors and the company take the time needed to make these representations spectacular and of high quality in every way) in preparing for the Eastertide performance of Handel’s Resurrection. Dancers Juri Hiraoka and Kevin Law, both armed with swords, danced a pas de deux from the opera, angels storming the gates of Hell. Pynkoski and Lajeunesse Zingg drew the attention of the audience to the lightness of the Baroque choreography, to the upward motion of the dancers on the musical “downbeats.” 


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Joseph Johnson moves to the front of the TSO for Anton Dvořák’s Cello Concerto​

Canadian Opera Company’s Hansel & Gretel opens with plenty of surprises!​

Cellist Joseph Johnson, conductor Aziz Shokhakimov and the Toronto Symphony Orchestra; Photo credit: Jag Gundu

Review by David Richards
Toronto ON February 18th 2020

Toronto Mendelssohn Choir’s free concert brings out the crowds!

Review by David Richards
Toronto ON February 24th 2020